@Wellnessbywhit is one of my favorite hobbies. When I first began posting my content, I was nervous and hesitant. I did not think that people would enjoy the content I was posting, or even be interested in what I had to say.
To my surprise, I gained a large number of followers in a matter of a week. I cross-promoted my account with my personal Instagram account. I created a story that was a screenshot of my account tagging my handle, @wellnessbywhit. I gained a lot of support from my friends and family which was reassuring and exciting. I also gained some followers from my shoutout that my friends had given me. The cross-promotion allowed me to reach a broader audience.
The different tips and tricks I have learned from the various readings throughout our course have also enabled me to gain a bigger following. Julia McCoy urges Instagram users to add hashtags to their content to target a broader audience. I took her advice and added 11 or more hashtags to each of my posts. Her advice really worked. Some of my posts were blowing up with likes from random accounts, and I even gained a handful of followers.
In my first blog post, I mentioned that I would be using the hashtag #EatsByWhit on my food posts. Unfortunately, I did not stick to my original plan. Now that I know how essential hashtags can be, I will make a point to use my personal hashtag on my posts.
Many of the health and wellness influencers that I follow on Instagram gained my follow with the help of their aesthetic they seemed to maintain with each post. I figured that I needed to build my own feed with a certain aesthetic. With the help of a photo editing app, Snapseed, I developed a set of edits that I use on each of my posts. The colors are vibrant, and the clarity is pretty significant.Each post is edited to look similar and create a familiar theme throughout my feed. I have received feedback from my followers through comments and direct messages saying they enjoy the aesthetic of my account.
To keep my following, and gain more attention, I plan on sticking to a lot of my habits. I will keep the edits of my photos consistent, and implement my personal hashtags. Furthermore, I plan on interacting with my followers daily. I found that maintaining a presence within the wellness community on Instagram is very beneficial. Commenting, liking, and even direct messaging allows me to get to know my followers on a more personal level. Even though it may feel intimidating, I know that getting involved is important for the spreadability of my content.
Lastly, I plan on posting more stories. Posting stories will allow me to have more of a presence on Instagram. I will post more step-by-step recipes for some of my meals. By saving my stories to my profile, my followers will be able to refer back to whatever recipe they may be interested in making and have an easy guide.
McCoy, J. (2016). 10 Ways to Grow an Organic Instagram Presence. Social Media Examiner.
These past 3-4 weeks have been such an interesting experience for me. Being a Communication Studies Major and a Writing Minor, I have pictured myself doing social media work as my future career path. I have always wanted to understand and learn what being an ‘influencer’ on a social media site would be like. This project has given me a lot of insight into the social media world (how it works, what to post, what NOT to post, etc…), which I’ve always wanted/needed in order to truly grasp what kind of lifestyle ‘instagrammers’ and bloggers live.
My progress has been pretty slow and steady these past few weeks. I have been using ‘Insights’ as a way to monitor my progress throughout the week. I took screenshots of these insights as you can see below. They are helpful because they show how many times each post has been seen. This can help to understand which hashtags and which pictures people like the most or are the most excited to see. A downfall of Insights is because I only have 29 followers, the app is not able to tell me much about the ‘trends’ of my followers. My goal by the end of this project is to get at least 100 followers so that I can attain this information. (This goal might be a little bit of a reach but only time will tell.)
I also use Insights on my blog. These statistics show me how people find my blog site and how many people view each post. This helps me to understand how much Instagram is attributing to the traffic and publicity my blog is receiving.
How To Gain Followers:
I haven’t gained very many followers in the past 5 days which I attribute to the fact that I went out of town and did not keep up with posting stories and pictures. I am hoping to gain more followers in the coming weeks by posting daily and adding more hashtags to my stories. I also realize that I need to start following more people and interacting with their pictures. Oftentimes I find myself feeling awkward when commenting on other people’s posts, but I need to remember that this is a large part of the algorithm and a large factor in how successfully my Instagram will grow. Unfortunately, I cannot gain followers just by existing…
Finding My People:
I have yet to come across many Instagram profiles that are similar to mine. Most of the bloggers that I follow are either stay-at-home mom’s who post about tips and tricks of motherhood, or they are beauty and fashion bloggers with tons of selfies and advertisements. I think as soon as I find my crowd I will be more excited to interact with other profiles on Instagram. Applying what Debbie Mitchell wrote on her ‘Twitter Tips’ bullet journal page, I do think that I need to ‘Find My People’. This support will not only make the app more enjoyable but it will hopefully allow me to find real-life connections which will lead to a more meaningful experience.
During the first two weeks of this assignment, I was pretty consistent with posting stories and adding them to my highlights. As the weeks have gone on, I have noticed myself slacking especially with the creation of new highlights. I think people would ultimately be more interested if I were to post more stories and add them to my highlights. I am planning to add a ‘Steamboat’ highlight and add a bunch of pictures from my trip this past weekend. I know personally when I look at a new profile, I always tap through the highlights, so adding new ones will hopefully increase followers.
Quick Steps To Increasing My Followers:
What I’ve Learned:
All in all, I have learned that… I have a lot of learning to do. Instagram is a difficult platform to get noticed on. Your posts must be consistent, your content must be exciting, and your followers must be dedicated. I now know that a posting schedule is the key to success if you want to gain a following and I have learned that engagement with other users is so important. Cheers to the coming weeks and hopefully some more success in the Instagram world!
Our Comic Life visual aid is describing how to hack the Instagram Algorithm. We used different articles from class to explain how you can gain a following on your own instagram. We used those tips to make our own visual aid appealing to the eye.
We have done a lot (A LOT) of reading about Instagram these past few weeks and some reading about social media and visuals in general. Take some time in your groups to try and synthesize important information from all these readings. Focus on what you’ve learned about Instagram and its relationship to social media in general. Each group should design a way to represent this synthesized information visually using the program listed below. Post your visual to our WordPress site with a brief description. Be prepared to talk us through the choices you made in synthesizing readings and representing information visually.
Solis, B. (2011). Chapter 10: The New Media University 701: Social Media Optimization, SEO, and Content Distribution In Engage: The Complete Guide for Brands and Businesses to Build, Cultivate and Measure Success in the New Web. Sussex, U.K.: Wiley and Sons Ltd.
Solis, B. (2011). Chapter 6: The New Media University 301: Images and Multimedia. In Engage: The Complete Guide for Brands and Businesses to Build, Cultivate and Measure Success in the New Web. Sussex, U.K.: Wiley and Sons Ltd.
Anthropologist Mary Douglas (1991) examines the very thin line sepa- rating a joke from an insult: a joke expresses something a community is ready to hear; an insult expresses something it doesn’t want to consider. Thus, recognizing a joke involves exchanging judgments about the world and defining oneself either with or against others. Content creators can endear themselves to a particular audience by showing they understand its sensibilities and can alienate themselves by miscalculating that audience’s sensibilities. Humor is not simply a matter of taste: it is a vehicle by which people articulate and validate their relationships with those with whom they share the joke.
Consider a breakout advertising success from 2010: Old Spice’s “Smell Like a Man, Man” campaign. Launched in February by ad agency Wieden+Kennedy, the television commercials feature Isaiah Mustafa as Old Spice Guy, “a handsome but somewhat inscrutable figure who engaged in random acts of manliness”: “the man your man could smell like” (Potter 2010).
Promising to transform customers simply through their use of the product, the spots draw on some of advertising’s own clichés and cultural touchstones. It parodies not only the pitchman but also the commercially manufactured ideal man—all “chiseled torso and ridicu- lously self-assured tone” (Edwards 2010). Old Spice has employed such techniques multiple times in the past. For instance, a commercial in2007 showed how the product could grow chest hair instantly (a feat its competitor in the side-by-side comparison couldn’t manage). This manliness made it the ideal choice for “real man situations, like basket- ball, recon, and frenching.” A 2008 spot featured a spokesman sliding around the entirety of a baseball diamond while he promoted Old Spice as the “bare-knuckle, straight-on tackle, heavyweight deodorant that gives the best game, set, and match, high-stepping, sudden-death, double-overtime performance in the pit fight against odor.” By 2009, the product was shown as the deodorant of choice for the winners of manly competitions such as arm wrestling, the karate chopping of concrete blocks, and chainsaw carving. In the latter case, the Old Spice deodorized winner carved his own block of wood into a chain- saw, and he then used it to carve his competitor’s block of wood into a sculpture, all before the other guy could start his saw. Old Spice has long experimented with parodying the advertising industry’s construction of masculinity.
For the impressions minded, by September 2010, the original Old Spice Guy spot had received in excess of 25 million views on YouTube, while the Old Spice channel showcasing all the campaign’s videos received about 94 million views. At that time, the brand had acquired more than 90,000 Twitter followers and more than 675,000 Facebook fans. Perhaps in relation, sales of Old Spice grew 30 percent from February through July 2010, the five months after the new advertising campaign had launched (Edwards 2010).
We might see the “Smell Like a Man, Man” campaign as a product of Old Spice’s ongoing experiments with finding the right humor- ous tone to mock notions of masculinity (Caddell 2010). Unlike the previous spots, this campaign engaged both male and female viewers, as the commercials are directly addressed to the “ladies” who are often purchasers of body wash for their significant other. Its self-parodic elements implicitly grant users permission to adopt and adapt the content for their own purposes.
Parodies of the Old Spice commercial spread across the Internet as users drew on the spot’s form and structure to conduct their own conversations. Men of all body types and sizes shot spoofs featuring “more realistic” men your man could smell like. The children’s television show Sesame Streetproduced a version featuring the character Grover that promised to help viewers “smell like a monster.” Australian political comedy program Yes We Canberra! shot a version critiquing the status of gay marriage down under, and another Australian Broadcasting Corporation spoof featured an animated Tony Abbott, leader of the Australian opposition party, begging to be “the man your PM should be.” Brigham Young University’s Harold B. Lee Library even produced a version selling the merits of studying in the library.
“Smell Like a Man, Man” serves as a good exemplar of a “pro- ducerly” text. The video has a clearly defined message, but the absurdity creates gaps “wide enough for whole new texts to be produced in them” (Fiske 1989b, 104). Wieden+Kennedy enlisted Mustafa to shoot 186 individual videos over 48 hours and posted them on YouTube, responding to comments sent to Old Spice Guy via Twitter, Reddit, and Facebook and to video responses left on YouTube in real time. Old Spice Guy responds multiple times to Alyssa Milano (whom he flirts with), offers a marriage proposal on behalf of a Twitter user, and answers a lot of quite random questions. Many response videos don’t feature a single mention of Old Spice products—they respond to people talking about the campaign. Ultimately, the campaign uses its humor in all its exten- sions to demonstrate how Old Spice “gets” a certain mentality and is a meaningful participant in the dialogue of particular audience members (in the case of the online extension, communities that are cognizant of the traditional logics of advertising, fully conversant in irony, and immersed in social media platforms).
Not every group appreciated the outreach, however. When Old Spice targeted the trolls at 4Chan, they responded with a mixture of bemusement and overt ridicule; one wrote, “This was the first time I’ve ever seen someone market to /b/ and I am glad it was a thing as epic and funny and as close to our humor as this so fuck off,” while another posted an image macro of the Old Spice Guy labeled “marketing cam- paign troll.” In this case, Old Spice’s humor may have been directed at the wrong audience, offending some in a community expressly built to be not just noncommercial but often anticommercial.
Available when and where audiences want it: Producers, whether professional or amateur, need to move beyond an “if you build it, they will come” mentality, taking (or sending) material to where audiences will find it most useful.
Portable: Audience members do not want to be stuck in one place; they want their media texts “on the go.” Content has to be quotable (editable by the audience) and grabbable (easily picked up and inserted elsewhere by the audience). Audiences will often abandon material if sharing proves too onerous.
Easily reusable in a variety of ways: Media producers and media audiences circulate content for very different reasons, actually for very many different reasons. Creating media texts that are open to a variety of audience uses is crucial for creating material that spreads.
Relevant to multiple audiences: Content that appeals to more than one target audience, both intended and surplus audiences, has greater meaning as spreadable media.
Part of a steady stream of material: The “viral” mentality leads brands to invest all their energy in a particular media text that is expected to generate exponential hits. Blogging and microblogging platforms emphasize the importance of a regular stream of material, some of which may resonate more than others in ways creators may not always be able to predict.
When I was first introduced to Instagram, I didn’t really know what to do nor what to follow. I began searching around and I saw a lot of Hedgehog accounts. I began to delve deeper into these accounts and what I was able to come up with fascinated me tremendously. I’ve seen Hedgehogs before but these accounts on Instagram were getting a lot of likes and followers so I knew that these Hedgehogs had a lot of influence. There are a few Hedgehog accounts that I deem to be the best among my own opinion. The accounts that I would follow a lot and keep up to date with are @tacakotan, @_gogooma, and @shimihazu. Each of these accounts does something very unique to influence followers and each account HEdgehog seems to have their own personality that draws more attention to them and makes them, unlike other accounts.
We can all relate to our youth and how some of us, or people we knew, had blankets that they would never leave behind. The Hedgehog accounts @tacakotan has the same childish and adorable behavior. This Hedgehog has a little blue blanket that it guards with its life.
The author in this accounts, and like the other accounts, focuses a lot of pathos to appeal to the audiences. Though it has been hard for me to be able to read much of the posts since Instagram’s translation of isn’t always the best and it also doesn’t translate the comments people leave in the post. There is still a lot that we can assume about the audience and its that they are huge Hedgehog enthusiasts and mostly are located in Asian countries as well as how they all have a soft spot for Hedgehogs even though they can be a bit prickly. The features of this account are that this Hedgehog has a unique part about it that I would like to incorporate. It would seem that I would post a lot of content featuring Hedgies that have a similar niche to them. The things that I would try to avoid is just to use the same content over and over again and perhaps be very diverse in what I wish to include for my audiences. In the multimodal article, I began thinking about adding perhaps more text to my pictures on my account. Perhaps something quick and flashy that will coincide with the picture to keep it from going stale.
@_gogooma is an adorable little friend which separates a lot of Hedgies from this one. This Hedgehog is a like a lot of people in the world where it’s just lazy. At least, that’s what the creator of this account likes to post. This account posts Gogooma sleeping and just minding its own business. This is a Hedgehog that we can also all relate to. Whenever I look at this account I can only say, “It must be nice” with all of the content of the Hedgehog just sleeping.
Even in this picture, Gogooma lies sleeping as its owner squishes his chubby cheeks. This creator uses a lot of pathos for its audience. It features a sleeping Hedgehog and cute antics on the Hedgehog as it sleeps. Everyone likes to see animals sleep, its a cute thing, and they also enjoy witnessing Hedgehogs being lazy just like how we are sometimes. Along with this content, it would be best to avoid a lot of material of Hedgehogs just sleeping, though it is cute, sometimes the audience wants the Hedgie to be doing something for their entertainment. Perhaps just scurrying around. Henry Jenkin’s article about spreadable media made me realize that it’s hard for these accounts to post pictures better than the last one so they stick with what the audience knows. This makes me think that sometimes I won’t have any quality posts and that Ill have to resort to a safer alternative so that my progress doesn’t go downhill.
I have noticed that a lot of people like to say their own pets have emotion. Though with a dog we can sense when it is happy due to its tail waggling. Hedgehogs do have tails but whenever they’re happy they don’t wag it. @shimihazu has another way to tell its owner that it’s happy.
@shimihazu makes facial expressions that the owner can clearly tell that it is happy. This Hedgehog in this photo is currently smiling at a knitted cupcake. Honestly, who wouldn’t smile upon seeing a cupcake? It is simple to see that this creator also implemented pathos into the content that they post. The audience seems to enjoy this content as well as its something we don’t see within a lot of Hedgehogs which makes this one particularly unique compared to the other accounts. This feature is hard to avoid and this account doesn’t really post the same content over and over again. I would say that out of all of the accounts, this one is the most diverse and there’s anything I would avoid about it. Steve Krug makes a point about the web and how people tend to use it, how we don’t read pages but scan them instead. A lot of the posts here on Hedgehogs features small text and don’t delve into making long and complex comments on the post that a lot of the readers simply wouldn’t regularly read.
Arola, K., Sheppard, J. & Ball, C. (2014). “Chapter 1: What are Multimodal Projects?” In Writer/Designer: A Guide to Making Multinmodal Projects. Boston, MA: Bedford/St. Martin’s Press, 1-19.
Jenkins, H., Ford, S., & Green, J., (2013). “Designing for Spreadable Media.” In Spreadable media: Creating value and meaning in a networked culture. New York: New York University Press. 195-229.
Krug, S. (2005) “How We Really Use The Web” In Don’t Make Me Think!: A Common Sense Approach to Web Usability, Second Edition. Berkeley, C.A.: New Riders, 21-29.
There are countless Instagram accounts dedicated to posting pictures of Bible verses daily, however an account that includes a verse, a testimony, aspects of real life, and is specifically for troubles college kids experience is a difficult fish to find in the sea of profiles on Instagram. However the four accounts I chose all have aspects of things I want to be reflected in the account I want to create and I believe would most successfully obtain an engaged, interested audience. These include; @daily_bibleverses, @daily_bible_devotional, @legitsadierob, and @knowing_god_for_teens.
The account, @daily_bibleverses, is about as simple as it gets, all they do is post a picture of a Bible verse every day. But, this is a small part of what I would like to do on my account as well. The aesthetic of their page inspires me with what I want mine to look like. I think having the first thing people can view our picture is big words of exactly what they might want to know can be really helpful with these kinds of accounts. This account also helped me see ways to give credit to other accounts if I want to use one of their pictures.
@daily_bible_devotional’s account is a little more interesting. It’s a man, I’m not sure of his name, who posts pictures of Bible verses with mini-sermons of them, advice for those trying to lead a Godly path, and lots of videos of himself sharing the word. The videos he posts really show authenticity and bring a personal level to the account, which is something I really want my account to have as well. He also uses Instagram’s ‘story’ feature, which is something I am excited to try on my account. It is a good way for someone to see a little bit of what your account entails quickly without having to scroll all the way down your page.
@legitsadierob, also known as Sadie Robertson, is a young author, owner of a clothing line, speaker, has a podcast, and the list goes on and on. I am really inspired by her ministry because she is very authentic and proud of who she is and what she stands for, and I think she’s a great role model for young girls. Her Instagram account isn’t technically a ‘devotional’ or ‘Bible verse” account, but her account includes many Bible verses, testimonies, advice for women of faith, and clips of her seminars. I want to convey the same message of authenticity and self-love and purpose in life to my audience that she does, because I think those are important values to hold, especially as college students when there are so many things we struggle with.
@knowing_god_for_teens includes the same pictures of verses along will small devotionals in the captions. Like this account, I want mine to be targeted toward college students and teens. I think we already have a lot to deal with so words of encouragement based on problems specific to us can be really uplifting.
I have learned many different things I can do with my account in order to make my audience grow and my message to spread, such as hashtags, so I was thinking something short and catchy that makes the purpose of my account clear; like #dailydudevo. Through my analysis of these accounts I found different aspects of each I hope to include in mine, such as the coordinating pictures of the verses, personal testimonies and advice pertaining to the verse in a way that is targeted for college students, using the features of the Instagram ‘stories’ to actively interact with my audience in a personal way, and to make sure my content is authentic, transparent, and relatable.